In November 2022, my photographic partner Iango Henzi and I were preparing a special piece on Madonna for Vanity Fair Europe. She had a world tour coming up and we wanted to do something artistic and interesting, something with meaning. Originally we considered a re-imagining of The Last Supper but with just Madonna all alone. We wanted to go further, though. For every shoot we work on, we start with a reference then research, develop and evolve. Working with Madonna, we give her references, a plan, and she will come back and say: “What about doing it this way?” It’s an exchange. We always want to examine the meaning of a picture – what emotion it evokes and what it says.
Read more at The Guardian
