The ‘Queen of Pop’ conjures the heady vibes of a small hours dancefloor with this exceptionally crafted single
have been dogged by controversy of a very different type to the scandal she once happily courted: in 2024 some disgruntled fans attempted to sue her for turning up on stage two hours later than scheduled.
Her albums have garnered a noticeably mixed reception and sold in increasingly diminishing quantities, each one shifting half what its predecessor did: she dismissed 2012’s MDNA and 2015’s Rebel Heart as albums she made “reluctantly”, but there were fewer takers still for 2019’s Madame X, an authentically bizarre patchwork of trap, reggaeton, Portuguese fado and politically inclined lyrics.
The hit singles she was once a dependable source of have proved noticeably harder to come by: there’s something very telling about the fact that her biggest commercial success of late has come not from a song of her own but through a cameo appearance on The Weeknd’s 2023 hit Popular.
Read full review at The Guardian
