Filmography presents: Madonna and Sean Penn in Shanghai Surprise (1986) – press, memorabilia, trailer, order links
Shanghai Surprise has been completed and has been added to our Filmography, on which we are working on in chronological order.
Going back to 1986 where the newly wedded couple Madonna and Sean Penn took on their first (and only) movie together, expectations were high after the popular and well received Desperately Seeking Susan but unfortunately it was box office bomb.
- View press articles, many magazine articles from that time from Japan to Holland
- See the many memorabilia; posters from various countries, press kits, lobbycards, VHS and blu-ray, rare pictures, promo altar, promo fan and much more
- Watch the trailer
- Buy the film – order links
Visit Shanghai Surprise now, while we continue to work on ‘Who’s That Girl’
This brand new official Rebel Heart Tour hoodie / sweater has been added to our Rebel Heart Tour page
Madonna has been the standard-bearer among female pop artists for three decades, and any time a new star emerges the comparison is always made. The verdict is usually that Madonna did it first, and better, but It’s gotten to the point of cliché, to where you aren’t sure if you can trust the narrator.
And then you go see Madonna in concert and all doubt is swept away. She really is the blueprint for pretty much any modern pop star, from Taylor Swift to Rihanna, and she proved it Saturday night at the KFC Yum! Center.
Just like recent tours by Swift, Beyoncé, Katy Perry and Miley Cyrus, Madonna’s “The Rebel Heart Tour” is filled with spectacle: a host of dancers, set pieces, elaborate stage design and full-tilt diva behavior. But there’s a subtle and important difference.
Where spectacle has become the primary point of tours by the post-Madonna crowd, with a raft of distracting special effects and gimmicks, the queen herself largely goes for practical magic. Art and athleticism are Madonna’s go-to moves, and she uses them to reflect and enhance the music, not cover up its shortcomings.
Despite the almost exhausting scope of Madonna’s show – it features four themed sets clocking in at around 30 minutes each – it rarely lags. The show opened with “Joan of Arc/Samurai,” followed by “Rockabilly meets Tokyo,” “Latin/Gypsy” and “Party/Flapper,” and each was defined equally by the music, costuming and choreography.
The music reached all the way back to 1983’s “Holiday” but, in true Madonna fashion, she refused to cater to nostalgists and leaned heavily on her most recent album, “Rebel Heart.” Even her older songs were reinvented in entertaining ways, especially sacred cows such as ‘Like A Virgin,” “Material Girl” and “Dress You Up,” each of which was wedged into a different themed set.
“Like A Virgin,” for example, was recast as Japanese pop meets electronic dance music on a codeine drip; “Dress You Up” was given a flamenco twist; and “Like A Prayer” and “True Blue” were both stripped down to their basics, the former performed on a ukelele.
While there’s certainly value in straight-up recreation, it was a lot more interesting to hear how Madonna keeps herself engaged in decades-old material. It was also intriguing how she very firmly ensured that it was a pop show at heart, especially given the wide range of albums from which she drew. There may be more contenders for her crown than ever before, but the Queen of Pop still has a strong left hook.
Read more at Courier-Journal.com
If Madonna wanted to make a splash with her first performance in Oklahoma, she certainly did that.
The Queen of Pop put on a highly energetic, fun, shocking, musically impressive show Thursday night at the BOK Center. If your jaw wasn’t on the floor, you were grinning as much as she was.
Though with a setlist heavy on her newest album, it left me wanting more. With a start time at 10:30 p.m., I don’t know if I could have handled it.
Nine songs of the 22-song setlist were from “Rebel Heart,” Madonna’s 13th studio album released last year to critical praise and commercial success. Many of the fans near me sang along to several of those new songs, which dominated the setlist early on.
Songs like “Iconic,” “Bitch, I’m Madonna” and “Holy Water,” which were three of the four opening songs, all from her latest album. Seeing her perform the songs live made me like them more than listening to the album version. Her voice was sometimes muddled early on but it was strong and steady. She even strapped on a guitar for the last song in that opening set, “Burning Up,” the second single she ever released.
That early group also showed some of the diversity in her style over her career. With the new songs, she shows that she’s at least keeping up with trends in music, with heavy electronic music. But “Burning Up” showed us a hard rocking, rock yelling Madonna with a Flying V guitar, not playing face-melting solos, but playing, which is more than most pop stars will do.
Later, more of her well-known hits were played, but Madonna altered them so that they felt new despite some being more than 30 years old. “True Blue” was played acoustic with Madonna playing the ukulele. “Like a Virgin” was broken down into a minimalist, bass heavy song with the lyrics and tone intimately familiar with every person in the nearly-full room. “Music” started off jazzy in a ‘20s speakeasy style. “Material Girl” could have come straight out of Baz Luhrmann’s “The Great Gatsby.”
Her most musically impressive song of the night where fans got to really experience her untouched talent was a cover of “La vie en rose,” just her singing and playing a ukulele. Her vocal prowess was in the spotlight, hitting and sustaining higher notes in her range. And it being the next to last song before the encore and considering she had been singing and dancing and changing clothes all night, it was that much more impressive.
Read full review at TulsaWorld
Shinko Music Entertainment will release a special edition of Crossbeat magazine dedicated to Madonna.
This edition will be released in February in Japan.
It is available for pre-order through HMV Japan
As teenagers, Chanci Kasper and her friends looked at Madonna as an icon.
“She was a rebel. She was different,” said Kasper, of Fort Smith, Arkansas.
Thursday night, just in time for a birthday milestone, the four friends reunited at the BOK Center to finally experience Madonna in person.
“We’re all turning 40, so this is a gift for all of us,” said Kasper’s friend Jennifer Simpson of Broken Arrow.
Thursday was Madonna’s first time to perform in Oklahoma in her more than 30-year-long career.
And as Madonna descended in a cage as a dozen dancers waited, the crowd who had waited decades for her to perform in the state roared in approval.
Elaborate dancing and strong music drove fans to their feet as Madonna welcomed everyone: “Oklahoma! Are you ready?”
Loud cheering from the crowd was a clear affirmative.
The packed arena was full of adoring fans, many dressed in their finest fishnets, oversized hairbows and sparkles.
For many, Madonna’s appeal was overwhelming. She came into their lives when they were teenagers, an age when people are looking for a type of role model. For Katherine Yarnell of Beggs, it was Madonna’s strength that spoke to her.
“She has such a different style than other artists,” Yarnell said. “She’s not scared to be herself.”
That appealed to Jamil Gotcher, too. As a young woman, Madonna was a symbol of independence, and her highly catchy and danceable music didn’t hurt, she said.
“She represents my youth,” Gotcher said. “She represents freedom and bravery. She’s an icon.”
She was able to introduce her daughter, Jade Gotcher, to Madonna’s music.
“Our house was always full of music and dancing,” Jamil Gotcher said. “Like (Jade) said, she came out of the womb voguing.”
Madonna released her 13th studio album, “Rebel Heart,” last year. Her current tour continues through March.
The BOK Center made an event out of announcing the performance last fall, celebrating the chance to host her first performance not just in the city but in the state.
But this definitely was not Grant Vanderbilt’s first time to see her. He said he’s been to at least five Madonna shows. This time, he only had to drive from central Arkansas to see her. But dressed in a long pink dress with an enormous bow, he could hardly wait to get inside the arena to do it all again.
He got his start with Madonna in sixth grade, rifling through his cousin’s CD collection and coming across “The Immaculate Collection.” That thrill of the first listen is still strong when he hears her now.
“I loved it. It’s all I listened to for 10 years,” Vanderbilt said. “It’s exactly what I wanted to be.”
Read more at TulsaWorld.com
This is the first time Madonna has ever performed Oklahoma.
Her show begins at 8 p.m., but the BOK Center says doors for the concert will open at 6:30 p.m. thanks to new security measures. Earlier this year the center added metal detectors as you enter the building and they will be conducting bag searches.
Center officials say no bags larger than 13″ x 15″ x 6” will be permitted inside BOK Center. They say guests who have bags larger than this size will be asked to return them to their vehicles or discard them.
Read more at NewsOn6.com
TULSA, Okla. — The BOK Center is preparing for Madonna to rock the stage Thursday night in downtown Tulsa. This will be Madge’s first show in the Sooner State and is a part of her “Rebel Heart” tour.
Wednesday evening, Madonna’s tour stopped in Houston, Texas. She paid tribute to the late David Bowie who lost his battle with cancer on Sunday.
The BOK’s twitter account tweeted shortly after her Houston performance to ask if Tulsa would also see a Bowie tribute Thursday.
Madonna hits the stage at 8 p.m.
Concert goers will need to arrive early to prepare for the BOK’s new security measures. New metal detectors and bag checks are expected to delay entry to the venue. Doors will open 90 minutes early to allow patrons to get through security enough time before the show.
To get full details on the new security measures, visit the BOK Center’s website.
Read more at Ktul.com
Madonna’s ‘Rebel Heart Tour’ is coming to Singapore on 28 February 2016 and some religious conservatives in Singapore are against Madonna’s performance here.
Facebook user Carrie Shalom, posting in the group ‘We are Against Pink Dot in Singapore‘ (a network which encourages mostly anti-LGBT (lesbian, gay, transgender and trans-sexual) discussions), said that after the Adam Lambert concert, now Madonna’s coming here, and that such concerts would “corrupt more of our people, our young people and harm society”.
With the caption:
“Singapore IS ROTTING… Fast… When authorities permit Pink ROT to be celebrated and promoted, year after year after year, homosexuality, transgender affirming propaganda films in our cinemas, Adam Lambert in Celebrate Countdown 2016 and NOW trashy, crude and vulgar Madonna with her profusely Sacrilegious, Sexually and Religiously Offensive and Obscene Rebel Heart World Tour IN Singapore to corrupt more of our people, our young people and harm society!
Parents and sound-minded citizens, you have a duty NOT to sit on the fence or stay silent when you see our morals and values being eroded away by militant secularists and LGBT activists!”
Read full article at The Independent
Madonna’s epic two-night showcase at American Airlines arena reunites the material girl and her old friend Miami.
It will be a homecoming of sorts when Madonna hits Miami as part of her tour for Rebel Heart, her 13th studio album, on January 23 and 24. Back in the ’90s, when Madge set down roots in Miami, she electrified South Beach nightlife, bringing glamour, excitement, and a flock of private jets carrying fellow stars along for the ride. By that point, her status as one of the biggest cultural forces in the world was well established—an undeniable pop juggernaut, fashion icon (think Jean Paul Gaultier cone bras), and agent for social change (as an empowering feminist who rallied on behalf of her legions of gay fans, and the fight against AIDS, among many other humanitarian efforts). Her searing, controversial 1992 book, Sex, much of it set in Miami, only further secured her role as a provocateur. Shot by Steven Meisel, the photo tome featured images of Madonna cavorting with gal pal Ingrid Casares, who went on to cofound Miami hot spot Liquid, and hitchhiking stark naked on the streets of the Magic City.
Madonna blazed the trail for today’s boundary-pushers, like Lady Gaga and Kesha; her eponymous 1983 debut set the standard for a career that merges pop and dance with the freedom to express yourself in any way you see fit. Her latest endeavor, Rebel Heart, is no different, with production from the likes of Diplo, Avicii, and Kanye West; it’s also, in some ways, a throwback to the 57-year-old’s clubby early days, says her first collaborator (and then-boyfriend), Jellybean Benitez, who produced her breakout “Holiday” for that first album. “From the single ‘Living for Love’ to the lyric in the title track (‘Rebel Heart’), I can see a lot of her in this particular record,” says Benitez of Rebel Heart. “She’s returned closer to her club roots with it. This is the closest thing to what’s going on in club culture in years for her.”
Benitez, a superstar DJ who headlined PAMM Third Thursdays: Poplife Social last April, has worked with and remixed many of the greats over the years, from Whitney Houston to Michael Jackson. “The thread that runs through all of them is passion,” he says. “These artists are fearless. No matter what the obstacle is, they find a way through it, around it, over it. They’re always looking at the good things that are happening and not focusing on the negative things that could be happening. That’s her.”
Early in Madonna’s career, Miami proved a fantastic playground—from hot spots like Liquid to the Blue Door restaurant at the Delano to Versace’s mansion, everywhere the Material Girl went, the paparazzi, crowds, and drama followed. “She was often [at the Versace Mansion] when Donatella and Gianni were there,” says her ’90s friend (and rumored on-again-off-again paramour) Chris Paciello, who co-owned Miami nightclub Liquid with Casares. “They’d throw a little party at [Gianni’s] house, and then they’d all go out to the clubs after. She had her own little crew: photographers Herb Ritz, Bruce Weber, and Steven Meisel; Orlando Pita, who used to do her hair; Rupert Everett, and when she was in town, they’d all be here.”
Although Madonna departed Miami for homes in New York and London, the occasional South Florida appearance—such as asking the 2012 Ultra Music Festival crowd if they’d seen “Molly” (a nickname for the drug ecstasy, which was also the title of her album just prior to Rebel Heart)—has left her gone but certainly not forgotten. Madonna performs on Saturday, January 23, and Sunday, January 24, at AmericanAirlines Arena, 601 Biscayne Blvd., Miami; ticketmaster.com
Read more at OceanDrive
NEW: Desperately Seeking Susan added to the Filmography! Press, memorabilia, rare videos and much more!
One of Madonna’s most beloved films Desperately Seeking Susan has been added to our Filmography. This includes many rare items from our private collection such as the insanely rare German lifesize display (as featured in Encyclopedia Madonnica 20 by Matthew Rettenmund). What you can find:
- many rare press articles from Japan, Holland to the USA
- rare memorabilia items (the replica boots, the lifesize display from Germany, rare presskits, posters, original VHS videos, dvd and blu-ray and much more)
- film facts
- rare videos such as bloopers, the making of, the premiere and a behind the scenes featurette
- view the official Into The Groove video
- Various order links
ENJOY Desperately Seeking Susan now, while we continue working on Shanghai Surprise
The Queen of Pop covered Bowie’s song ‘Rebel Rebel’ as a picture montage of the star was played on a massive screen behind her
The Queen of Pop remembered the late music legend in Houston, Texas as part of her Rebel Heart tour.
Madge covered Bowie’s hit ‘Rebel Rebel’ as a picture montage of the star was displayed on a big screen behind her.
Following her performance she dramatically dropped to the floor, putting her arms out in front of her.
Sharing a picture of the moment to Twitter she wrote: “Paying Tribute to My Favorite Rebel. Thank you!……….David Bowie #rebelhearttour”
Heroes singer David passed away on Sunday aged 69 following an 18-month battle with cancer.
In a lengthy tribute posted to Facebook following the news of his death, Madge described Bowie as “unique and provocative.”
She wrote: “I’m devastated. David Bowie changed the course of my life forever.
“I never felt like I fit in growing up in Michigan. Like an oddball or a freak. I went to see him in concert at Cobo Arena in Detroit. It was the first concert I’d ever been to.
“I snuck out of the house with my girlfriend wearing a cape.
We got caught after and I was grounded for the summer. I didn’t care.
“I already had many of his records and was so inspired by the way he played with gender confusion. Was both masculine and feminine. Funny and serious. Clever and wise. His lyrics were witty ironic and mysterious.
“At the time he was the thin white Duke and he had mime artists on stage with him and very specific choreography. And I saw how he created a persona and used different art forms within the arena of rock and roll to create entertainment.
“I found him so inspiring and innovative. Unique and provocative. A real genius. His music was always inspiring but seeing him live set me off on a journey that for me I hope will never end.
“His photographs are hanging all over my house today. He was so chic and beautiful and elegant. So ahead of his time.
“Thank you David Bowie. I owe you a lot. The world will miss you.”
Read more at Mirror.co.uk
before midnight at Madonna’s tightly choreographed and highly entertaining Rebel Heart Tour concert at the Toyota Center on Tuesday, she veered off script, scratching two songs for a heartfelt tribute to David Bowie, who died Sunday after a bout with cancer.
“He was one of the geniuses in the music industry and one of the greatest singer/songwriters of the 20th century and he changed my life,” she told the sellout crowd of cheering fans. “He showed me that it was OK to be different, right? He was the first rebel heart I laid eyes on. So I think we should get this party started.”
She whipped off her senorita dress from a segment of the show that featured “La Isla Bonita” and a samba version of “Dress You Up” to reveal satin gym shorts and sequined bra and launched into Bowie’s classic 1974 hit, “Rebel Rebel,” which replaced “Who’s That Girl” and “Frozen” she had performed in this portion of the concert at previous stops.
For a few minutes, as images of Bowie flashed on a video screen, Madonna sang the song like an excited teenager, sometimes off key, thrashing on the floor in excitement — and it didn’t seem overly planned like much of her concert did.
It was pure magic.
“Let a girl catch her breath, right?” she said afterwards. “Oh my god.”
And then she turned serious again, praising Bowie for “the groundbreaking that he did with his music, his attitude, his style, the way he looked at life, with all of it, you know?
“In a way he opened the door for transgenders and made people feel like it was OK to be different, that it really didn’t matter if you dressed like a boy or a girl. What matters is on the inside. Am I right?”
“I’m feeling a little bit emotional. I am going to miss him. He fucking blew my mind.”
The rest of the nearly 2-1/2-hour concert was typical Madonna in a number of ways:
Read full review at HoustonCultureMap
With bangles all the way up her arms, hair tussled and fake microphone in hand, Andrea Fowler would channel her musical icon in the mirror, the music as loud as it would go.
She thought the door was locked to keep her brother out during this particular bedroom Madonna concert, where Fowler as a teenager would give it her all. But it wasn’t.
“He comes in and touches my shoulder, and it scared me so bad I just fell to the floor,” Fowler said.
Generations of fans of the Queen of Pop held concerts and sang into hairbrushes from the early ’80s, when synthesizers introduced us to the “Lucky Star,” to the release of her 13th studio album last year, “Rebel Heart.” Madonna has thrived in changing landscapes, which has made her even more appealing to fans.
Fans will get to sing along with the icon herself when she performs in Oklahoma for the first time on Thursday. Madonna is set to perform at 8 p.m. Thursday at the BOK Center. Tickets start at $40 and are available at bokcenter.com.
Since 1983, Madonna has sold more than 300 million albums around the world. She is listed at No. 2 behind The Beatles on Billboard’s Hot 100 All-Time Top Artist list, making her the most successful solo act on the U.S. singles charts.
She has toured the world and become one of the highest-grossing female performers in history. She has starred in several films and earned a Golden Globe award.
For decades, Madonna has been part of the pop culture. She has adapted to the times but stayed true to herself, which has kept her fans on board, picking up new ones along the way.
Read full article at Tulsaworld.com