Click HERE to listen to a brand new interview M recently did for Canadian radio to promote her Rebel Heart Tour. The printed version was released last week in Journal de Montréal/Québec
We reported on this issue a few days ago, there’s a new team behind Madonna’s merchandise customer service. Now Madonna.com has also sent out an email to all its registered members: Thanks once again for participating in our Icon ticket pre-sales for Madonna’s Rebel Heart Tour, which opens very soon on September 9 in…
We are currently working our butts off to wrap up the new and improved ‘World Tours’ section for MadonnaUnderground. This section will be similar to our Album Promo section (focuses on Madonna’s album releases and the promo tours that came with it). Imagine having hundreds (if not thousands) of original magazine and newspaper articles as…
Tired of reading the same old (non-accurate) biographies on Madonna? Want something new and original? Finally there’s a brand new book for you to collect, this one is all about her film career in 122 pages: Madonna On Screen.
Madonna: On Screen is written by Chris Wade, he discusses all the movies she’s starred in and/or directed. The book contains pictures, info and an interview with Desperately Seeking Susan writer Leora Barish.
Stay tuned for an exclusive closer look at the book soon, there’s also a Q&A coming up with the author!
If you do not wish to wait for the book preview (and review) and are ready to order please click HERE
For more information, this is the full press release:
Often recalled as the “Marie Antoinette” performance, Madonna’s game-changing 1990 rendition of her hit “Vogue” was based on the film Dangerous Liaisons, with Madge donning Michelle Pfeiffer’s actual dress from the movie. Luis Camacho and Jose Gutierez, both of whom danced on Madonna’s “Blonde Ambition” tour and choreographed and danced in the original “Vogue” video…
Fans have been reporting that Live Nation doesn’t offer customer support anymore regarding Madonna merchandise. Fans have e-mailed Live Nation and have all received the same reply back: ..’Thank you for your email. We do apologize for any confusion; however we no longer provide the customer service for the Madonna Fan Club. If your questions…
Tony Villanueva ‘On opening night I won’t eat dinner, the butterflies will have taken up all the room’
We are getting close. I have to be able to hear what’s happening on stage. Rehearsal is like a painting. You start with a blank canvas and we are adding the highlights now. It’s my turn. We will run quick changes at real time. We rehearse with the discipline of military maneuvers. Later I won’t…
We have just added the following HD Confessions On A Dance Floor video to our Confessions On A Dance Floor Album Promo page (in the video section)
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Keith Haring First press release, May 2015
The Political Line
20 September 2015 to 7 February 2016
Prophets of Rage, acryl on canvas, 304,8 x 457,2 cm, 1988 © Keith Haring Foundation
Collection Keith Haring Foundation
This autumn, the Kunsthal Rotterdam is proud to be presenting a major exhibition on the life and work of influential American artist and activist Keith Haring (1958-1990). ‘Keith Haring. The Political Line’ is the first exhibition in the Netherlands to highlight in detail the social and political aspects of his life’s work. One hundred and twenty artworks reveal an underexposed side of this world-famous artist. To personally experience these imposing artworks is a visual spectacle that has great impact. Twenty-five years after Haring’s death, his art is as influential as ever.
A protégé of Andy Warhol, Keith Haring spawned a revolution in art during the 1980s with his unmistakably unique style. In New York, during the conservatism of the Reagan era, the openly-gay Haring made it his mission to highlight social evils in his work. He took a clear stance against the excesses of capitalism and was committed to nuclear disarmament, environmental protection and equal rights for all, irrespective of ethnicity, skin colour, religion or sexual orientation. Together with diary excerpts and other archival material, the thematic collection of works in ‘The Political Line’ illustrates just how committed Keith Haring was to the socio-political issues of his day.
Inspired by street culture
Keith Haring held a leading position in the New York ‘downtown’ community of painters,performers and musicians whose creativity took its cues from urban street culture. Keith Haring was inspired by graffiti, comic strips, music, dance, fine art and popular culture. Haring considered art to be a public right. The much-criticised commercialisation of his own work on T-shirts, badges or stickers was an integral part of his philosophy that ‘Art is for Everyone’. Haring had a tremendous influence on his generation, and although his career spanned just over one decade, the effects of his visual vocabulary still reverberate.
Many of the works in ‘The Political Line’ are on loan from the Keith Haring Foundation in New York, supplemented with important works from international museums and private collections. The diversity of Haring’s work ranges from the early chalk drawings created in situ in the New York City subway stations (the ‘subway drawings’), to his large-scale paintings on canvas and vinyl tarpaulins, innumerable works in Sumi ink on paper, unique objects and sculpture. Documentary material from the Haring Foundation’s archival holdings completes the picture of artist and activist Keith Haring. As Kunsthal director Emily Ansenk emphasises, ‘We are delighted that this exhibition is taking place in Rotterdam, the city in which Keith Haring had his very first exhibition outside the USA, in 1982. Throughout his career, Keith Haring pursued his ambition to make his work accessible to everyone, not only to the art world. He shared his work through every channel possible. The Kunsthal Rotterdam is therefore the best place in the Netherlands for this exhibition; we are making his work accessible for a wide and new public audience.’
This is the young woman i met shortly after our family’s move to michigan in 1975 –as i entered my sophomore year of high school and, she, her senior one. together, we were in the Thespian Society; and in that winter’s first production, we were cast as mother and son –the wife and child of…