Ask Peter Lindbergh which year of his career he’d most like to relive, and he has plenty of good options. 1988 comes to mind: It’s the year he shot the iconic “white shirt” photo of Linda Evangelista, Karen Alexander, Christy Turlington, Estelle Lefébure, Tatjana Patitz and Rachel Williams at the beach — an image that would launch the careers of the then-unknown models, and of Lindbergh himself. It is regarded as the first artifact of the supermodel era. Or maybe 1994, the year he shot Madonna in a tribute to Martha Graham (never-before-seen photos from that session are in the slide show here, along with previously unpublished shots of Kate Moss, Gisele Bündchen and Lara Stone). Or 2002, the year he shot his second Pirelli calendar and became the first photographer to be exhibited at Moscow’s Pushkin Museum.
But Lindbergh has a different answer: “I would live the last 12 months again, as they have been extremely crazy: an unbelievable amount of projects, challenges, experimentation, freedom; extremely creative adventures, and a lot of satisfaction, too,” he told T in an email. It’s true: It’s been a big year for Lindbergh. He’s spent the last few months prepping a huge solo show at the Kunsthal Rotterdam opening Sept. 10, “A Different Vision on Fashion Photography,” which shares its title with a weighty upcoming Taschen monograph of the same name. He’s also recently wrapped the 2017 Pirelli calendar — he’s the only photographer who’s ever shot three — featuring Nicole Kidman, Robin Wright, Julianne Moore and others of their milieu. “Not to forget that my seventh grandchild is about to be born in the Villa Medici in Rome,” he adds.
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© Peter Lindbergh/Courtesy of Peter Lindbergh, Paris/Gagosian Gallery/TASCHEN